(photo: Zuleira Ch)
Las Robertas are a rock band from San Jose, Costa Rica. They play hazy lo-fi pop tunes with a blend of wailing guitars, heart pounding drums, and echoing vocals. This band consists of four ladies named Meche (Guitar/Vocals), Lola (Vocals/Pandereta), Monse (Bass/Vocals), and Ana María (Drums). With a style that could easily be mistaken for coming from Southern California or Brooklyn, Las Robertas are proof that music is truly universal and you can never be too sure of what’s blasting from speakers in a tropical city and sparking inspiration inside aspiring young artists.
I recently caught wind of Las Robertas and quickly grabbed a copy of their stellar debut record Cry Out Loud. There was little information available about this band, so I contacted them in an attempt to get the scoop on what’s going on with them down in Costa Rica. They were happy to answer some questions for us and talked about their inspiration, finding themselves outsiders among local bands, and being excited about the future.
– Tell us a little bit about how you met each other, and started Las Robertas?
Monse and Meche met through MySpace a long time ago…they liked similar stuff (Isobel Campbell and 60’s New Wave among others), then early 2009 they met up with Lola and decided to start practicing and making songs. Meche used to know Ana M. from school, they both go to the same one, it’s a design-arts specialized university. So approximately 2 months after starting to play, Ana M. joined. Since then, we all became great friends, we’re always hanging out together, also with our manager M. Hortensia.
– What has influenced your music and personal styles?
Someone unexposed to Italy may only think of scenes from The Godfather and music from an Opera as reference, but anyone who steps foot on Italian soil could find rock bands break out original material and Kinks covers like it’s nobody’s business (have witnessed this first-hand). However, Ofelia Dorme could come as a pleasant surprise to anyone. The Bologna based rock band has a minimalist style combined with a depth of sounds entrenched in prog rock. Lead singer Francesca Bono delivers concise vocals with cunning precision over moody soundscapes that rise and fall like audio recorded inside a stormy dream. Instead of imitating music imported from abroad, Ofelia Dorme aims to create their own export. They have a self-released EP titled Sometimes It’s Better To Wait, recently played gigs in the UK, and have several more European shows lined up. When put in contact with Ofelia Dorme I was immediately interested in finding out what’s happening behind the scenes because of their home country, ambition, and most importantly the music.
Q: Tell us a little about how you all met, and decided to start the band Ofelia Dorme?
The Morning Benders sophomore release, Big Echo, is a tapestry of well composed, wistful baroque-pop that lightly balances somewhere between the feelings of nostalgia and regret. Reminiscent of the moments in life you reflect back on, undecided if you truly regret them now, but are positive that you wouldn’t live them different if you had the chance.
Big Echo contains traces of the orchestral peaks and valleys of producer Chris Taylor’s band Grizzly Bear, but The Morning Benders stand on their own feet and put a subtle yet effective sun soaked spin on a style Taylor seems to have become a master at producing. Continue reading
(photo by: Zach Corbin)
Korey Dane hail from Long Beach, California and play an infectious blend of acoustic driven songs with powerful vocals and engaging lyrics. They have a familiar, classic feel, yet are refreshingly new. Think of it like you poured yourself a drink and dusted off an old 45 to find a lost record nobody has heard before. Led by singer/songwriter Korey Dane, this six-piece band also includes the charming voice of Tess Shapiro, Alex Medina, John Garbutt, Tyler Juarez, and David Beltran. Korey and Tess are both great vocalists who combine so naturally that it’s hard to ignore their obvious chemistry. Korey also has a real knack for songwriting, reminiscent of some artists who wouldn’t be fair to mention because he could give them a run for their money. Last year they independently released the album For the Kite Flyers and have been steadily gaining a following. We contacted Korey to ask him a few questions and he was happy to answer them. Among other topics we discussed their music, what’s in store for the future, and he recommended some cool things to listen, watch, and read.
Q: Korey, how long have you been making music and what influenced you to pick up a guitar for the first time, then eventually start a band?
Venue: Highline Ballroom, NYC
By: Dave Ugelow
of Montreal does not disappoint. I often describe them as a strange band, but one that needs to be seen. What seems to make them such a compelling live band is their ability to effectively blend catchy pop melodies with mesmerizing theatrics. As you’ve no doubt heard by now, the January 26 show at the Highline Ballroom in Manhattan was one to remember. Complete with shocking guest appearances by Susan Sarandon (yes, that Susan Sarandon) and Solange Knowles (sister to self-proclaimed indie-music aficionado Beyonce Knowles), of Montreal really brought the proverbial noise. But the celebs weren’t even the best part of the show (although, I won’t soon forget the image of Susan Sarandon dressed as a teacher punishing a man in a pig suit with a ruler). Continue reading
If you are not already familiar with La Blogotheque’s Take Away Shows, then quickly become acquainted. French indie-filmmaker Vincent Moon helmed the series, which contains impromptu live performances by bands accompanied by Moon’s highly saturated, rugged video footage. The videos are shot in unique locations, mostly in and around Paris, but other cities have been included as well (New York, LA, Montreal). Most of the artists rely only on acoustic guitars and simple percussion, inspiring creativity in these one-take performances. Moon has done around 100 sets of these videos, and lately other filmmakers have also gotten in on the Take Away Shows. Continue reading
The Studio at Webster Hall
It’s not everyday that you get to see a band with the number one album play live in a small intimate setting. So when by a turn in fate, friend and singer/guitarist of Red Yellow England, Alex Rivera, asked me to tag along in seeing Vampire Weekend play on Thursday afternoon in The Studio at Webster Hall, I jumped at the chance. It was a very exciting place to spend an afternoon since not only is Vampire Weekend’s new album Contra their first number one album (our review here), but according to Billboard and SoundScan, only the 12th independently released album to do so. Continue reading